Favourite Pomes

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Jadestone
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Re: Favourite Pomes

Post by Jadestone » Sat May 16, 2009 3:07 am

Xamonas Chegwé wrote: I really must read more of this poet! Thanks for pointing him out to us Jadestone. :tup:
Thought this place would appreciate him. It only took one poem of his for me to fall in love with most of his work. I wrote poems emulating his for a poetry project for school and it was a lot of fun.

Bukowski is also great. First heard of him in a song, and then looked further, and it was like bam
SOmetimes he almost reminds me of e. e. cumming's style but they focus on different subjects.

BUT HOW COULD I FORGET I have fallen in love with a poet called Arkaye Kierulf recently--the first poem I read of his just really hit me. It's long, but I really like the style he wrote it in, although my efforts at trying it have so far failed.

This is the above mentioned poem titled "Spaces" and it is rather long so I will spoiler it so as not to kill the page
Trigger Warning!!!1! :
1.

In this room I was born. And I knew I was in the wrong place: the world. I knew pain was to come. I knew it by the persistence of the blade that cut me out. I knew it as every baby born to the world knows it: I came here to die.

2.

Somewhere a beautiful woman in a story I do not understand is crying. If I strain hard enough I will hear a song in the background. She is holding a letter. She is in love with Peter. I am in love with her.

3.

Stand on the floor where it’s marked X. I am standing by your side where it’s marked Y. We are a shoulder’s length apart. I’m so close you can almost smell the perfume. If I step ten paces away from you, there could be a garden between us, or a table and some chairs. If I step another 20 paces there could be a house between us. If I continue to walk away from you in this way, tramping through walls and hovering above water, in 80,150,320 steps I will bump into you. I can never get away from you, and will you remember me? Distance brings us closer. There is no distance.

4.

In 1961 I was in Berlin. It was a dusty Sunday in August. In the radio news was out that Ulbricht had convinced Khrushchev to build a wall around West Berlin. I remember it precisely: By midnight East German troops had sealed off the zonal boundary with barbed wire. The streets along which the barrier ran had been torn up. I lived in that street. It was the day after my birthday. I remember the dust covering the sky. I remember being scared. Father had not returned from the other side. The Kampfgruppen der Arbeiterklasse had orders to shoot anyone who would attempt to defect. Father had not returned.

5.

Happiness is simple.
Sadness forks into many roads.

6.

Before the time of Christ, Aristotle believed that the earth was the center of the universe because he needed a stationary reference point against which to measure all other motions: a rock falling, a star reeling through the sky, his heart beating against his chest like a club. He needed to believe in certainty, in absolute space. Without it, the world would not be known absolutely. Without it, the world cannot be known.

Twenty centuries later Hendrik Lorentz needed to believe that every single molecule in the universe must move through a stationary material called the aether, as every human being in his various turnings must move through God. Scientists looked everywhere for proof of this aether. And everywhere they found nothing.

7.

I have sometimes been accused of being a bore. I beg to differ: people laugh at my jokes, and I’m handsome. I would like now to talk more about myself: I don’t like going to airports and hospitals. They make me uneasy. In both cases, somebody is always going to leave. I was born in 1983, and have never been to Berlin. But I have a memory of being in Berlin in 1961. I have a memory of something that never happened.

I would like to elaborate on myself, but you will understand if I talk instead about the sky in Berlin in 1961: it was covered with dust. There were no birds. There was no sky.

8.

Memory is brutal because precise.

9.

She said: give me more space. I said: don’t you love me anymore? She said: give me more space. I said: why? Did I do something wrong? Is there something wrong? Is there someone else? When did you stop loving me? In what precise moment? In what room? What city?

I held her tight as one who’s about to lose his own life holds on. Then she said: give me more space. I said: no.

10.

I have only one purpose: to live intensely.

11.

I wish I never met you
and I wish you never left.

You taste like a river in June.

12.

I’m going to say something important. Look at my face. Ignore my eyes. Just listen to me. But listen only to the timbre of my voice, not to what I am saying. They are different. They are two different rooms. The first is an exhibition of despair, the second only an explanation.

The first is all you have to listen to. So listen carefully because I cannot repeat myself:

“Everything/ one suspects to be true/ is true.”

13.

In 1879 a boy is born in Germany. At age five he’d throw a chair at his violin teacher and chase him out. In time he would develop the capacity to withdraw instantaneously from a crowd into loneliness. At twenty-six he would publish his theory of relativity in Annalen der Physik. He looks crazy, but he is certain: there is no aether, no absolute space.

14.

Sometimes they thought it was the words.
What they wanted to say could not be said.

They fixed the TV, vacuumed the rug,
dusted the furniture, looked out the window.

Sometimes she would purposefully lose hold of
a plate and it would smash to the floor.

Then they would have something to say,
only to begin to say it then stop.

15.

Look at this box. It is empty except for a diary, a book, and this picture in my hand. Now look at this picture. It weighs nothing and occupies almost zero space. I can slip it in anywhere and it will fit: inside the diary, under the box, through a crack on the wall. If I tear it several times, it will occupy a different volume, many and various. It mutates, you see. If I burn it, it will smoke into the air. It will take up a whole expanse.

16.

How many more times
are you going to let the world
hurt you?

17.

My father is an incorrigible storyteller. He would tell the same stories in different ways. I wouldn’t know which ones to believe. So I believed all of them. “There is no story that is not true,” said Uchendu.

Father would point at the TV. He would repeat lines, rehearse the beginnings and ends, explicate with his hands the elaborate twists and turns of every road.

He said: “I am dying.”

I said: “But aren’t all of us dying.”

18.

And I thought the world
was about this leaving,
not about anybody’s leaving
but about this leaving.
The next day it was the same.

19.

A beautiful woman walks into a room. The room is dark. There are no windows. There is one light bulb but any time now it will go off. I pretend not to notice and look away, my heart beating against my chest like a club. If I strain hard enough I will hear a song in the background. What other forms of happiness are there than this?

20.

In 1989 the Berlin wall falls down.

21.

I believe in love only when it rains.

22.

To appreciate the value of land, one need only look into a painting: so much beauty. Buying land means buying the layers of beauty directly above it. It means buying the sky above it. And the birds above it, the clouds, the gods.

In truth you are buying a corner of the universe. You are saying: this is my room. You are saying: I live here. Here I exist.

23.

Your sadness is immaterial. You did
not come into the world to be happy.

~

You came to suffer/survive.

24.

How many words have you spoken in your life?
How many did you mean?
How many did you understand?

25.

Somebody picks up a phone. He dials a number. His voice travels a thousand miles into another country. On the other end somebody picks up and hears the voice. Who is this?– This is me. The phone is hung up. The voice travels back a thousand miles.

Elsewhere somebody picks up a phone and before he could dial forgets the number.

26.

Sometimes wars are waged because there are too many people in too few rooms.

27.

Memory is incomplete–lost.
The world is incomplete–vanishing.

Nothing more happens. You open your eyes and it’s over.

Memory is brutal.
Memory is precise.

28.

In the next room people I do not know are talking with hushed voices. Their secret slips out the window like a cat. It is raining, and I press my ear to the wall. I imagine that one of them is smoking a cigarette. I imagine that one of them is covering his mouth in surprise.

29.

When my aunt died the doctors said the fat clogged her arteries. Every week she visited the hospital, and every week the vein on her wrist had to be ripped out so a catheter could be stuck into her body to suck out her blood. You could see the plasma pass through a filter and then back to the body. If you put your ear to her wrist you would hear her heart.

Before my uncle died the heart attacks were so excruciating he said he’d prefer to just die. They transported him to the hospital, and on the way to the emergency room his heart gave. Mother said my uncle ate too much pork and drank too much beer. She wonders if he’s going to be happy in heaven.

30.

In some house in some province in some country in some novel there is a story of a man a father a child a lover who dies because of too much sadness.

31.

Nobody thought that what was wrong was the love.

32.

She said: give me more space.
All around me darkness gathers, fading is the sun that shone; We must speak of other matters: You can be me when I'm gone...

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Re: Favourite Pomes

Post by Xamonas Chegwé » Sat May 16, 2009 3:46 am

Jadestone wrote:
Xamonas Chegwé wrote: I really must read more of this poet! Thanks for pointing him out to us Jadestone. :tup:
Thought this place would appreciate him. It only took one poem of his for me to fall in love with most of his work. I wrote poems emulating his for a poetry project for school and it was a lot of fun.

Bukowski is also great. First heard of him in a song, and then looked further, and it was like bam
SOmetimes he almost reminds me of e. e. cumming's style but they focus on different subjects.

BUT HOW COULD I FORGET I have fallen in love with a poet called Arkaye Kierulf recently--the first poem I read of his just really hit me. It's long, but I really like the style he wrote it in, although my efforts at trying it have so far failed.

This is the above mentioned poem titled "Spaces" and it is rather long so I will spoiler it so as not to kill the page
That was pretty awesome. I have never heard of him before. I started reading, seeing how long it was and intending just to get a taste of it, but it carried me onwards and before I knew it, I had finished. Each little numbered piece is complete of itself - but the whole adds up to so much more - I love the part where he says he has never been to Berlin!

Thanks you for that. So many great poets, so little time.
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Re: Favourite Pomes

Post by Red Katie » Sat May 16, 2009 4:41 am

Pappa wrote:Apparently Orwell's inspiration for the chestnut tree poem in 1984.

A nice poem in it's own right though.

Under a spreading chestnut-tree
The village smithy stands;
The smith, a mighty man is he,
With large and sinewy hands;
And the muscles of his brawny arms
Are strong as iron bands.
Why do you short Longfellow?

The Village Blacksmith

Under a spreading chestnut-tree
The village smithy stands;
The smith, a mighty man is he,
With large and sinewy hands;
And the muscles of his brawny arms
Are strong as iron bands.

His hair is crisp, and black, and long,
His face is like the tan;
His brow is wet with honest sweat,
He earns whate'er he can,
And looks the whole world in the face,
For he owes not any man.

Week in, week out, from morn till night,
You can hear his bellows blow;
You can hear him swing his heavy sledge,
With measured beat and slow,
Like a sexton ringing the village bell,
When the evening sun is low.

And children coming home from school
Look in at the open door;
They love to see the flaming forge,
And hear the bellows roar,
And catch the burning sparks that fly
Like chaff from a threshing-floor.

He goes on Sunday to the church,
And sits among his boys;
He hears the parson pray and preach,
He hears his daughter's voice,
Singing in the village choir,
And it makes his heart rejoice.

It sounds to him like her mother's voice,
Singing in Paradise!
He needs must think of her once more,
How in the grave she lies;
And with his hard, rough hand he wipes
A tear out of his eyes.

Toiling,---rejoicing,---sorrowing,
Onward through life he goes;
Each morning sees some task begin,
Each evening sees it close;
Something attempted, something done,
Has earned a night's repose.

Thanks, thanks to thee, my worthy friend,
For the lesson thou hast taught!
Thus at the flaming forge of life
Our fortunes must be wrought;
Thus on its sounding anvil shaped
Each burning deed and thought.

Henry Wadsworth Longfellow (1807-1882)

But that's not his best work. This is his best work:

The Day Is Done

The day is done, and the darkness
Falls from the wings of Night,
As a feather is wafted downward
From an eagle in his flight.

I see the lights of the village
Gleam through the rain and the mist,
And a feeling of sadness comes o'er me,
That my soul cannot resist:

A feeling of sadness and longing,
That is not akin to pain,
And resembles sorrow only
As the mist resembles the rain.

Come, read to me some poem,
Some simple and heartfelt lay,
That shall soothe this restless feeling,
And banish the thoughts of day.

Not from the grand old masters,
Not from the bards sublime,
Whose distant footsteps echo
Through the corridors of Time.

For, like strains of martial music,
Their mighty thoughts suggest
Life's endless toil and endeavor;
And to-night I long for rest.

Read from some humbler poet,
Whose songs gushed from his heart,
As showers from the clouds of summer,
Or tears from the eyelids start;

Who, through long days of labor,
And nights devoid of ease,
Still heard in his soul the music
Of wonderful melodies.

Such songs have power to quiet
The restless pulse of care,
And come like the benediction
That follows after prayer.

Then read from the treasured volume
The poem of thy choice,
And lend to the rhyme of the poet
The beauty of thy voice.

And the night shall be filled with music
And the cares that infest the day,
Shall fold their tents, like the Arabs,
And as silently steal away.
"Her eye was on the sparrow. Her mind was on the dove,
But no one cared and no one dared to speak to her of love.
Her eyes are always hooded. Her claws are sharp as steel.
We teach her not to see too much. We teach her not to feel."

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Re: Favourite Pomes

Post by Jadestone » Sat May 16, 2009 7:43 pm

I wasn't ever a big fan of the Longfellow poems I've read (mostly from the school textbooks) but I really like that last one a lot. Maybe I should look up more of his work.
Xamonas Chegwé wrote: That was pretty awesome. I have never heard of him before. I started reading, seeing how long it was and intending just to get a taste of it, but it carried me onwards and before I knew it, I had finished. Each little numbered piece is complete of itself - but the whole adds up to so much more - I love the part where he says he has never been to Berlin!

Thanks you for that. So many great poets, so little time.
Exactly! It really hooked me the first time I read it. All the little sections combining to make something greater and altogether beautiful. I love the feeling it gives me after reading it, even though it doesn't exactly feel great.
All around me darkness gathers, fading is the sun that shone; We must speak of other matters: You can be me when I'm gone...

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Re: Favourite Pomes

Post by Red Katie » Sun May 17, 2009 3:51 am

Jadestone wrote:I wasn't ever a big fan of the Longfellow poems I've read (mostly from the school textbooks) but I really like that last one a lot. Maybe I should look up more of his work.
As far as i know, that's his only good one. The first few lines of Evangeline are nice, but whatever you do, don't try to read the whole thing.
"Her eye was on the sparrow. Her mind was on the dove,
But no one cared and no one dared to speak to her of love.
Her eyes are always hooded. Her claws are sharp as steel.
We teach her not to see too much. We teach her not to feel."

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Re: Favourite Pomes

Post by Chinaski » Thu Jun 18, 2009 7:44 pm

This is beautiful!

The sea is calm to-night.
The tide is full, the moon lies fair
Upon the straits; on the French coast the light
Gleams and is gone; the cliffs of England stand;
Glimmering and vast, out in the tranquil bay.
Come to the window, sweet is the night-air!
Only, from the long line of spray
Where the sea meets the moon-blanched land,
Listen! you hear the grating roar
Of pebbles which the waves draw back, and fling,
At their return, up the high strand,
Begin, and cease, and then again begin,
With tremulous cadence slow, and bring
The eternal note of sadness in.

Sophocles long ago
Heard it on the A gaean, and it brought
Into his mind the turbid ebb and flow
Of human misery; we
Find also in the sound a thought,
Hearing it by this distant northern sea.

The Sea of Faith
Was once, too, at the full, and round earth's shore
Lay like the folds of a bright girdle furled.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night-wind, down the vast edges drear
And naked shingles of the world.


Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.
Is there for honest poverty
That hangs his heid and a' that
The coward slave, we pass him by
We dare be puir for a' that.

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Re: Favourite Pomes

Post by Mallardz » Thu Jun 18, 2009 7:47 pm

We've been here before right?
I believe I said "I feel it in my fingers. I feel it in my toes." Which was not my best of choices before correcting it to something that I have now totally forgotten.
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Re: Favourite Pomes

Post by Xamonas Chegwé » Thu Jun 18, 2009 8:02 pm

FrigidSymphony wrote:This is beautiful!

The sea is calm to-night.
The tide is full, the moon lies fair
Upon the straits; on the French coast the light
Gleams and is gone; the cliffs of England stand;
Glimmering and vast, out in the tranquil bay.
Come to the window, sweet is the night-air!
Only, from the long line of spray
Where the sea meets the moon-blanched land,
Listen! you hear the grating roar
Of pebbles which the waves draw back, and fling,
At their return, up the high strand,
Begin, and cease, and then again begin,
With tremulous cadence slow, and bring
The eternal note of sadness in.

Sophocles long ago
Heard it on the A gaean, and it brought
Into his mind the turbid ebb and flow
Of human misery; we
Find also in the sound a thought,
Hearing it by this distant northern sea.

The Sea of Faith
Was once, too, at the full, and round earth's shore
Lay like the folds of a bright girdle furled.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night-wind, down the vast edges drear
And naked shingles of the world.


Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.
Indeed it is beautiful. It is also called Dover Beach and written by Matthew Arnold. Would be nice if you could share such information. :biggrin:
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Re: Favourite Pomes

Post by Geoff » Thu Jun 18, 2009 9:10 pm

Xamonas Chegwé wrote:
FrigidSymphony wrote:This is beautiful!

The sea is calm to-night.
The tide is full, the moon lies fair
Upon the straits; on the French coast the light
Gleams and is gone; the cliffs of England stand;
Glimmering and vast, out in the tranquil bay.
Come to the window, sweet is the night-air!
Only, from the long line of spray
Where the sea meets the moon-blanched land,
Listen! you hear the grating roar
Of pebbles which the waves draw back, and fling,
At their return, up the high strand,
Begin, and cease, and then again begin,
With tremulous cadence slow, and bring
The eternal note of sadness in.

Sophocles long ago
Heard it on the A gaean, and it brought
Into his mind the turbid ebb and flow
Of human misery; we
Find also in the sound a thought,
Hearing it by this distant northern sea.

The Sea of Faith
Was once, too, at the full, and round earth's shore
Lay like the folds of a bright girdle furled.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night-wind, down the vast edges drear
And naked shingles of the world.


Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.
Indeed it is beautiful. It is also called Dover Beach and written by Matthew Arnold. Would be nice if you could share such information. :biggrin:
It was also posted by FUWF on p1 of this thread... :hehe:
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Re: Favourite Pomes

Post by lordpasternack » Thu Jun 18, 2009 9:39 pm

born-again-atheist wrote::roflol:

That's pommy, you bloody yank.
It comes from the acronym POME. Prisoner Of Mother England. :Erasb:
Then they for sudden joy did weep,
And I for sorrow sung,
That such a king should play bo-peep,
And go the fools among.
Prithee, nuncle, keep a schoolmaster that can teach
thy fool to lie: I would fain learn to lie.

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Re: Favourite Pomes

Post by Geoff » Fri Jun 19, 2009 12:08 am

Biscuit

by Jane Kenyon


The dog has cleaned his bowl
and his reward is a biscuit,
which I put in his mouth
like a priest offering the host.

I can't bear that trusting face!
He asks for bread, expects
bread, and I in my power
might have given him a stone.

:mrgreen:
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Re: Favourite Pomes

Post by Chinaski » Fri Jun 19, 2009 10:03 am

Geoff wrote:
Xamonas Chegwé wrote:
FrigidSymphony wrote:This is beautiful!

The sea is calm to-night.
The tide is full, the moon lies fair
Upon the straits; on the French coast the light
Gleams and is gone; the cliffs of England stand;
Glimmering and vast, out in the tranquil bay.
Come to the window, sweet is the night-air!
Only, from the long line of spray
Where the sea meets the moon-blanched land,
Listen! you hear the grating roar
Of pebbles which the waves draw back, and fling,
At their return, up the high strand,
Begin, and cease, and then again begin,
With tremulous cadence slow, and bring
The eternal note of sadness in.

Sophocles long ago
Heard it on the A gaean, and it brought
Into his mind the turbid ebb and flow
Of human misery; we
Find also in the sound a thought,
Hearing it by this distant northern sea.

The Sea of Faith
Was once, too, at the full, and round earth's shore
Lay like the folds of a bright girdle furled.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night-wind, down the vast edges drear
And naked shingles of the world.


Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.
Indeed it is beautiful. It is also called Dover Beach and written by Matthew Arnold. Would be nice if you could share such information. :biggrin:
It was also posted by FUWF on p1 of this thread... :hehe:
Dammit. Shame on me for not REREADING THE ENTIRE THREAD EACH TIME I POST.
Is there for honest poverty
That hangs his heid and a' that
The coward slave, we pass him by
We dare be puir for a' that.

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Re: Favourite Pomes

Post by JenTirydail » Sun Jun 28, 2009 7:13 pm

Not sure if this has already been posted but it's one of my favourites.

WARNING! - When I am an old woman.

When I am an old woman I shall wear purple
With a red hat which doesn't go, and doesn't suit me.
And I shall spend my pension on brandy and summer gloves
And satin sandals, and say we've no money for butter.
I shall sit down on the pavement when I'm tired
And gobble up samples in shops and press alarm bells
And run my stick along the public railings
And make up for the sobriety of my youth.
I shall go out in my slippers in the rain
And pick the flowers in other peoples gardens
And learn to spit.

You can wear terrible shirts and grow more fat
And eat three pounds of sausages at a go
Or only bread and pickle for a week
And hoard pens and pencils and beermats and things in boxes.

But now we must have clothes that keep us dry
And pay our rent and not swear in the street
And set a good example for the children.
We must have friends to dinner and read the papers.

But maybe I ought to practice a little now?
So people who know me are not too shocked and surprised
When suddenly I am old, and start to wear purple.

Jenny Joseph

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Re: Favourite Pomes

Post by Xamonas Chegwé » Sun Jun 28, 2009 7:20 pm

JenTirydail wrote:Not sure if this has already been posted but it's one of my favourites.

WARNING! - When I am an old woman.

When I am an old woman I shall wear purple
With a red hat which doesn't go, and doesn't suit me.
And I shall spend my pension on brandy and summer gloves
And satin sandals, and say we've no money for butter.
I shall sit down on the pavement when I'm tired
And gobble up samples in shops and press alarm bells
And run my stick along the public railings
And make up for the sobriety of my youth.
I shall go out in my slippers in the rain
And pick the flowers in other peoples gardens
And learn to spit.

You can wear terrible shirts and grow more fat
And eat three pounds of sausages at a go
Or only bread and pickle for a week
And hoard pens and pencils and beermats and things in boxes.

But now we must have clothes that keep us dry
And pay our rent and not swear in the street
And set a good example for the children.
We must have friends to dinner and read the papers.

But maybe I ought to practice a little now?
So people who know me are not too shocked and surprised
When suddenly I am old, and start to wear purple.

Jenny Joseph
That's my mum's favourite too. Every time she does something a bit daft, I ask her if it's not time to start wearing purple yet!
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Re: Favourite Pomes

Post by Beelzebub2 » Sun Jun 28, 2009 7:21 pm

JenTirydail wrote:Not sure if this has already been posted but it's one of my favourites.

WARNING! - When I am an old woman.

When I am an old woman I shall wear purple
With a red hat which doesn't go, and doesn't suit me.
And I shall spend my pension on brandy and summer gloves
And satin sandals, and say we've no money for butter.
I shall sit down on the pavement when I'm tired
And gobble up samples in shops and press alarm bells
And run my stick along the public railings
And make up for the sobriety of my youth.
I shall go out in my slippers in the rain
And pick the flowers in other peoples gardens
And learn to spit.

You can wear terrible shirts and grow more fat
And eat three pounds of sausages at a go
Or only bread and pickle for a week
And hoard pens and pencils and beermats and things in boxes.

But now we must have clothes that keep us dry
And pay our rent and not swear in the street
And set a good example for the children.
We must have friends to dinner and read the papers.

But maybe I ought to practice a little now?
So people who know me are not too shocked and surprised
When suddenly I am old, and start to wear purple.

Jenny Joseph
We had that poem in the second grade of high-school, (as a part of our English class) and I loved it! :tup:

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