Form and function. Can we seperate them?

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Form and function. Can we seperate them?

Post by Rum » Tue Nov 23, 2010 9:04 pm

The thread about the new Bentley car reminded me of a debate I had with friends and actually my dad come to think of it a long time ago. The discussion was about the aesthetics of the Spitfire, possibly/arguably one of the most attractive and aesthetically pleasing aircraft of all time. There's a pic at the bottom for anyone who does not know it.

I argued that its purpose alone invalidated its pleasing appeal and that the fact that it was a machine designed for one thing alone - to kill people in other planes invalidated any claim it might have as to the quality of its appearance and any appeal to our sense of beauty.

Similarly I found the Bentley 'obscene' for what it represents to me, personally.

So I guess what I am getting at is can one separate aesthetics and pleasing looks and function from the context in which it exists - with the Spitfire the context being war, and with the Bentley the new poverty which is rolling out across the developed world?

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Re: Form and function. Can we seperate them?

Post by stripes4 » Tue Nov 23, 2010 9:06 pm

Yes. Beauty of form transcends the purpose or the ethics involved. Creating something beautiful is separate from anything else. It just is.
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Re: Form and function. Can we seperate them?

Post by Feck » Tue Nov 23, 2010 9:16 pm

Yes , planes, cars, swords, poisonous plants and snakes and obviously women ! all can be beautiful ,another question ...does deadliness enhance beauty ?
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Re: Form and function. Can we seperate them?

Post by stripes4 » Tue Nov 23, 2010 9:19 pm

Feck wrote:Yes , planes, cars, swords, poisonous plants and snakes and obviously women ! all can be beautiful ,another question ...does deadliness enhance beauty ?
I wonder if deadliness might enliven the senses and creative a hightened sensitivity and perception, that would indeed convey this effect.
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Re: Form and function. Can we seperate them?

Post by Rum » Tue Nov 23, 2010 9:22 pm

Feck wrote:Yes , planes, cars, swords, poisonous plants and snakes and obviously women ! all can be beautiful ,another question ...does deadliness enhance beauty ?
That's a great question! Would the Spitfire have had the same appeal if it had just been a single engined none fighting plane? I wonder. Probably not. It is associated with the 'romance' of the Battle of Britain and all that now.

Which kind of answers the OP - you can't actually separate the object from its context.

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Re: Form and function. Can we seperate them?

Post by Feck » Tue Nov 23, 2010 9:26 pm

Rum wrote:
Feck wrote:Yes , planes, cars, swords, poisonous plants and snakes and obviously women ! all can be beautiful ,another question ...does deadliness enhance beauty ?
That's a great question! Would the Spitfire have had the same appeal if it had just been a single engined none fighting plane? I wonder. Probably not. It is associated with the 'romance' of the Battle of Britain and all that now.

Which kind of answers the OP - you can't actually separate the object from its context.


Do some things not have a context ? are some things purely decorative ?
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Re: Form and function. Can we seperate them?

Post by stripes4 » Tue Nov 23, 2010 9:27 pm

Me!!
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Re: Form and function. Can we seperate them?

Post by Feck » Tue Nov 23, 2010 9:28 pm

stripes4 wrote:Me!!
I was going to say 'like blondes' but I thought that was obvious
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Re: Form and function. Can we seperate them?

Post by Rum » Tue Nov 23, 2010 9:33 pm

Feck wrote:
Rum wrote:
Feck wrote:Yes , planes, cars, swords, poisonous plants and snakes and obviously women ! all can be beautiful ,another question ...does deadliness enhance beauty ?
That's a great question! Would the Spitfire have had the same appeal if it had just been a single engined none fighting plane? I wonder. Probably not. It is associated with the 'romance' of the Battle of Britain and all that now.

Which kind of answers the OP - you can't actually separate the object from its context.


Do some things not have a context ? are some things purely decorative ?
Even if they are just decorative they have a context. Everything does, The culture, the times, the technology - they all contribute to the context and we judge the object within that sensibility I think. I am not sure we can look at any object in a totally detached way. Even the highest aesthetic, say Greek sculpture, where a lot of our sense of beauty in the west originates, is based on context of a sense of the perfect human body.

Getting dangerously close to intellectual here. I thought I gave that up a decade or more ago! :sighsm:

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Re: Form and function. Can we seperate them?

Post by Mallardz » Tue Nov 23, 2010 9:35 pm

I get to study this in college on a daily basis.
We're always told "Form follows Function" but then some people (Example, Italian design Ettore Sottsass) believe the opposite.
I think function will always be a predominant factor. If there is no function leading the way we wouldn't have any form to create. The spitfire is an attractive piece of aviation but is just a remodelled plane. I think form can be decided but is never going to be separate from the appearance as the form is created after it's decided what it must do, how it will work and what it must include.
To separate the two you would need form to be independent and completely innovative without any regard for the function. I don't think either one can exist without the other. If it did you'd be looking at something that did nothing or have something that looked like nothing.
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Re: Form and function. Can we seperate them?

Post by JOZeldenrust » Tue Nov 23, 2010 10:36 pm

Rum wrote:The thread about the new Bentley car reminded me of a debate I had with friends and actually my dad come to think of it a long time ago. The discussion was about the aesthetics of the Spitfire, possibly/arguably one of the most attractive and aesthetically pleasing aircraft of all time. There's a pic at the bottom for anyone who does not know it.

I argued that its purpose alone invalidated its pleasing appeal and that the fact that it was a machine designed for one thing alone - to kill people in other planes invalidated any claim it might have as to the quality of its appearance and any appeal to our sense of beauty.

Similarly I found the Bentley 'obscene' for what it represents to me, personally.

So I guess what I am getting at is can one separate aesthetics and pleasing looks and function from the context in which it exists - with the Spitfire the context being war, and with the Bentley the new poverty which is rolling out across the developed world?

Image
In defining both the form and the function of a thing, you're making choices. There are many valid definitions of the purpose of a Spitfire. You could define it as the short-term practical function of a Spitfire when it was first designed, which pretty much is destroying enemy aircraft and almost certainly killing its crew. In that case pretty much any weapon is an evil thing. But don't forget that killing enemy fighter crews wasn't done for sport, it was done to win a war to end the reign of a regime that killed millions and impinged on the freedom of billions. Then maybe a Spitfire isn't quite as evil.

Or you could define the function of a Spitfire still more narrowly as a machine to move certain objects to a certain location at a certain speed, those objects being "little bits of metal", that location being "an enemy aircraft", and that speed being "fast enough to do some serious damage", but choose not to include the question of why this task needed doing. If we judge its merit based on how well this machine accomplished this task, you have to admit that for its time, the Spitfire was pretty good at what it did.

But compare how well a Spitfire performs its function to the machines we have today that perform the same function, and the Spitfire seems like a pretty bad machine.

Or consider the function that Spitfires have today: thrilling and entertaining people at air shows, and, for instance, getting kids interested in WWII history. That's a pretty decent function.

The same actually goes for the form of a Spitfire, though it's a little more counterintuitive. No two Spitfires are absolutely identical. Is "the form of a Spitfire" every one of those Spitfires? What about the ones that were destroyed? Do they count? What about spare parts? Does a picture of a Spitfire count? Does the form include the noise it makes when it flies? The way it moves through the air? "Form" isn't something that exists in nature: we choose it.

"A Spitfire" can be many things. It can be a collection of atoms, or a part of a historic narrative, or a visceral thrill, or ablueprint, a mental archetype. The world is just stuff. How we conceptualize it is up to us. That doesn't change anything about the stuff, but it does change what exactly it is we're talking about.

I get the distinct impression that people are generally pretty damned good at choosing conceptualizations that are useful. I get that impression because while people don't all conceptualize exactly the same, they can usually get by talking to each other pretty well. You don't get people saying "before WWII, Spitfires we scattered around the world, mostly in iron ore deposits. During WWII they briefly enabled some people to move metal pieces more efficiently then their competitors, but since then they've been quite heavily effected by the second law of thermodynamics." Neither do people claim that fitting the blueprint of a Spitfire makes a thing a Spitfire. I'd like to see them trying to fly a stirofoam replica.

Depending on how you define the form and the function of a Spitfire, your concept of "a Spitfire", you may or may not appreciate that concept, by assessing it according to what you value. Human beings all pretty much value the same things, though they differ quite a bit on the relative importance of all those things, and all of these things conflict in one way or another.

You and your friend might well have slightly different concepts of "a Spitfire". If you both can come to understand the concept the other person uses, maybe you'll both be able to appreciate the form of one concept while abhoring the function of the other.

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Re: Form and function. Can we seperate them?

Post by Clinton Huxley » Wed Nov 24, 2010 8:36 am

Interesting post, Joz.

All Brits of a certain age have the notion of the Spitfire as a legendary aircraft of unparalled beauty implanted in their minds, for what it represents - Britain's defining 20th century moment - not losing
to the Germans. I suspect many people under 20 have never even heard of it and for them WWII might as well be the 100 Years War.

Would it have been so legendary if they'd named it "The Shrew", which was one of the early suggestions...?
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Post by leo-rcc » Wed Nov 24, 2010 9:46 am

I hardly see how the beauty of a tool is deemed less beautiful just because of its usage. That's not the tools fault.

I happen to find the JU-87 Stuka to be a beautiful aircraft as well, and it was designed to win a war and start the reign of a regime that kills millions and infringes on the freedom of billions. That's hardly the planes fault, and it looks stunning.

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Re: Form and function. Can we seperate them?

Post by Pappa » Wed Nov 24, 2010 10:10 am

I would question if a Spitfire is beautiful, and if so why?

Is the form of a Spitfire inherently beautiful?
No, there's no such thing.

Is the form of a Spitfire considered beautiful by most people from diverse cultures/times?
I seriously doubt it.

Is the form of a Spitfire considered beautiful by most/all people from western cultures (including Germany)?
I don't know.

Is the form of a Spitfire considered beautiful by most/all people from Britain?
Generally yes*, but why?
(*Though I wonder if young people would be more.... "Beautiful? Meh, it's a plane.")

I'd guess that the cultural and historical connotations have a huge amount to do with our interpretation of it as beautiful. My feelings on it are probably half-way between "Yes, it's beautifully contoured" and "Meh, it's just a warplane". Maybe that's because of my age, or my anti-Britishness, idk.
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Re: Form and function. Can we seperate them?

Post by normal » Wed Nov 24, 2010 10:44 am

Rum wrote:
That's a great question! Would the Spitfire have had the same appeal if it had just been a single engined none fighting plane? I wonder. Probably not. It is associated with the 'romance' of the Battle of Britain and all that now.
I didn't associate it with anything like that. It's still a nice plane
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