Rum wrote:
Well I think you are wrong about all those things. If you know something about the history, the materials, the craftsmen and designers and if you know what influenced them, how a style or look came about it enhances not only your knowledge but your enjoyment because it puts the object into context and gives you knowledge with which to discriminate the good from the crap and to compare and devlope the relative merits of a given object compared to its fellows. Its like wine. You can just guzzle a bottle and its great (or perhaps not great), but some people can tell exactly the grape variety, the vineyard and the slope it comes from by taste alone - Dev has that ability. I have a small degree of it myself.
The point being that you can make of it what you will, but to blanket rubbish the whole field just because you haven't gone down that particular branch of knowledge/taste is at the very least an arrogant position to take.
The first time I heard Romeo and Juliet by Dire Straits, on a crappy radio, I KNEW it was special.
I didn't need to do any research. I'd never heard of Dire Straits. I didn't need to go to pop school and study. I didn't need to read the pop critics.
I suppose with me, I've got into the habit of questioning EVERYTHING. I don't accept religion or art, just on what I'm told.
Forty odd years ago, I read a lot about art. I had some extremely good reading material, and quality prints of about 100 "masters" and I read and looked through every single one.
Piet Mondrian sticks out. I went through it again and again, trying to match the prose to the art.
I wasn't so cynical then, so I left it that I wasn't read up enough.
But now, I've had a lifetime of it, and never detected the slightest glimmer of some vital thing that I'm missing.
The more I see and read, the more obviously it's hype.