The setting was updated to include Vegas style casinos. Launcelot Gobbo was turned into an Elvis impersonator - complete with songs! The casket choosing scenes were performed as a game show. All very original but that kind of thing is pretty usual these days. What impressed me so much was the way that the personalities of many of the characters were completely changed from their usual portrayals without a single word of the script being touched (apart from 3 million dollars replacing 3,000 ducats!) Portia and her maid, Nerissa, were ditzy southern belles. Shylock's daughter, Jessica, was played geeky and awkward.
Portia's trial scene was the most extreme example. in every other version I have seen on stage or screen, Portia is shown as wily and self-assured throughout her masquerade as a male lawyer, craftily offering Shylock ways to show mercy before seeming to give in to his demands for his pound of flesh, only to pull the rug from under him by demanding that he spill not one drop of blood in the process. In this version, however, Her appearance at the trial is shown as impulsive, her acquiescence to Shylock borne of resigned inevitability and her table-turning a last minute brainwave. She was, in short, winging it throughout the scene - a novel twist.
The anti-semitism of the play was very much to the fore - going as far as Patrick Stewart being spat upon when leaving court. Gawd would have loved it! From a 21st century standpoint this is rather disturbing - especially when played for laughs - but it's a big part of Shakespeare's play and deserves to be shown in all of its detail.
All in all, a very enjoyable trip.
