The thirteenth musical thrill: what are you listening to?

[Sean Hayden]

[Sean Hayden]

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[Tero]

I was at a concert mid 70s, this lineup


Wiki: The unusual structure of the narrative was remarked on by English literature scholar Christopher Ricks, who commented that "All Along the Watchtower" is an example of Dylan's audacity at manipulating chronological time, noting "at the conclusion of the last verse, it is as if the song bizarrely begins at last, and as if the myth began again".[29] Heylin described Dylan's narrative technique in the song as setting the listener up for an epic ballad with the first two verses, but then, after a brief instrumental passage, the singer cuts "to the end of the song, leaving the listener to fill in his or her own (doom-laden) blanks"

[Sean Hayden]

—warms the cockles that does

[Tero]

You can't just name the song Tonight, Tonight. There's like a thousand Tonights. Unless you are..Billy.

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[Tero]

[macdoc]

I recall Madonna on Johnny Carson...he was scandalized and she became a star.

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